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Showing posts with label Steps. Show all posts
Showing posts with label Steps. Show all posts

Monday, 2 July 2012

First Seven Steps for Organizing Your Art Room for Teaching


Teaching art means that all supplies must be easily accessed so when your next group arrives you are prepared. Minutes are lost gathering materials. The class eagerly awaits your permission to enter and their teacher or parents have left them with you. You bring the class in your room, seating them in assigned seats at their table. On your desk is a roster of the class so you can note behavior and individual strengths in subject matter for their grades, and your plan book. Use their names during the class to build a friendly atmosphere. Art is fun, and you as an art teacher must make each student feel that he or she has some art ability. Most public schools with art, require the art teacher to link the art lesson to one of the subject matters being covered in the class. You must organize your materials to suit the lessons. Here are seven first steps to organizing an art room for teaching. If needed, conference with the classroom teacher once a week, to plan the themes students will be learning for the month.

1. Plan book- As soon as you arrive in your room, check your plan book for your schedule for the day, and what lessons will be presented, or retrieve the lessons from the previous weeks work from the shelf, and arrange the material you will need for the day. Get ready for your first group by placing their crayons, markers, scissors, etc. in the middle of the table. While the students are working during the first art period, you can get the next class' work out.

2. Teaching material- Place your teaching material, like illustrative books on your subject matter, at the front of the room. After the class has settled (do not start unless they are quiet) explain the project. Show them an example of the lesson, and make sure they understand that they must be creative. If they begin to talk, wait. Teach them that when you raise your index finger in the air, you want quiet. They will learn this technique themselves if they notice their group is getting noisy. They will realize you are serious about teaching art. Show them pictures that give them an idea of the subject matter. Maybe they never saw jungle animals in the zoo, so a book on that would be appropriate. Always give examples to show them and speak to the class about how the project is linked to the particular subject.

3. Team leaders- Many lessons require markers, crayons, scissors and construction paper. Ask the team (table) materials leader to come up and take the paper from your materials table against the wall. Everything else should be in the middle of the table. This prevents students getting up when they need something. Train them to raise their hands if they need something or have a question. The team leader should count the scissors before his group gets on line. This is for school or street safety. Students should be told that all supplies must stay in the art room.

4. Storage- Have storage closets that are designated for each material. One large cabinet to store glues, paste, scissors, stiffer paper called Bristol board, small construction paper and wall paper sample books and newspaper. Another cabinet should be for paint (gallon size to be poured into sealed plastic jars). Tempera paint is used for younger children, acrylics for the older students, wide brushes for the younger children and an assortment of sizes for various needs. Do not buy the cheaper brushes. They will shred and leave hair like strands on the work. Some weeks, there will be hundreds of children using the brushes, so make sure you order better brushes. Watercolor tubes or the large circular dry watercolor tablets will be kept in the paint cabinet. Store rolls of mural paper next to the paper cabinet.

5. Drying space- Have a table for drying the students' work. Some art teachers use portable laundry stands with clothespins to hang art. Even an area on the floor will do if you do not have wall space. Keep the paper cutter with its blade against the wall and the locking lever on. You will need it often to prepare the display boards with students' work for the hallway or library or an art show.

6. Water- Water is a crucial element in an art room. You may not have a sink. Put a table in the corner with a bucket for the old water and a pitcher with clean water. The materials leader of each table can go up to the water table and pour the dark water into the bucket and obtain clean water from the pitcher. Go to the slop sink in in the hallway to empty and fill the containers in the morning. Place under the table a couple of extra empty buckets and a few filled gallon jugs of water. You may not need water with every lesson, but this area is needed to be set up always. Paper towels and hand cleaner is helpful on this table. Call a plumber to install a sink if this is a home studio.

7. Time- Class time is usually not enough to finish projects, so you should have a table or cabinet to arrange projects according to class. This way, the following week you can call out the student's name for them to come up and get their work. I hope your schedule allows you a little time in between class. When a class is late coming to your art room, sometimes you will sigh with relief. You may have to adjust the lesson, but it gives you, the art teacher, a little time to take a drink of water and breathe.

You will need energy and enthusiasm to make future artists or patrons of the arts. Organization of your materials for teaching in an art room is essential for a great art program.




Mary D. Bogin is a 30 year veteran teacher. She holds an MA in Art Education, and taught art in the public schools for sixteen years. She was trained in teaching reading, and taught children and adults in various literacy programs, but her writing has been her focus after retiring. Visit http://www.mdbogin.wordpress.com for more articles about teaching children and adults, and stories about life. She is currently writing a fictional book about the year 2125.




Sunday, 1 July 2012

Become a Photoshop Expert in 10 Steps


After working with Photoshop since version 4 in 1999, I realize that nobody really knows every thing that Photoshop can do. This makes it a great toy and tool, because there's always something new to discover. But you can learn most of it and keep learning. I recommend the following habits if you want to become a Photoshop Expert.

For this article, I'm defining expertise as being able to:


imitate something from real life (e.g. how shadows and light really work, how glass and water bend light).
guess with reasonable accuracy how a particular effect was created by someone else in Photoshop.
troubleshoot your own errors as well as someone else's.
manipulate pixels non-destructively.
work efficiently through the proper use of shortcuts, panels, actions, and tools.
know how and when to use most of the features in Photoshop.

Here are the 10 things I recommend you do if you want to be a Photoshop expert.

#1: Own the latest version of Photoshop

It's pretty hard to really experiment with Photoshop if you don't have your own copy at home. Having the latest version is important too. Particularly with the last two versions, CS3 and CS4, new features are added all the time. These features usually either make your job easier (like the Adjustments panel), or give you tools that didn't even exist in prior versions (like some of CS4's 3D capabilities).

I do recommend you purchase your own copy. Please don't used pirated stuff. If you are a teacher or student who is not using Photoshop for commercial purposes, you are allowed by Adobe to purchase the educational version at about half-price. It is as fully-featured as the non-educational version. You can usually buy this version at college book stores, or online at sites such as creationengine.com.

You are allowed to run your Photoshop software on two machines. I have one copy on my desktop PC and one on my laptop for travel.

#2: Play and Make Mistakes

Experimentation and play is the key to learning something beyond the basics. Try out all kinds of tools and filters, and see what they do with different settings. You can't really ruin Photoshop. And if you do, you can reset all the defaults by closing Photoshop, then pressing and holding the Shift+Ctrl+Alt keys (Mac: Shift+Cmd+Opt) while Photoshop restarts.

Take a bunch of photos from your camera (or online) and throw them together. See how blend modes change an overall image as layers are moved around. Try all of the layer adjustments, and every filter combined with another filter. Don't worry if it's ugly. You're learning. And there's always the History panel to allow you to back up several steps and try something else.

#3: Take a Class

To be honest, I had an awful Photoshop teacher. He did little beyond schedule what we were supposed to complete in the textbook. I stopped going at one point. I had learned how not to teach, and four years later I was teaching Photoshop. What a good teacher can do is give you assignments you never dreamed you could do (and enjoy!) More importantly, a good instructor can give you personal guidance when you don't even realize you made a mistake, or there's a typo in the textbook, or you accidentally skipped something, and something goes wrong.

Finally, a good instructor will give you projects to do that give you real-world scenarios and specifications. This prepares you for making real money with Photoshop.

#4: Go to Seminars

Kelby Training provides absolutely fantastic seminars all over the United States. I have had teachers such as the amazing Bert Monroy and Dave Cross. These seminars have increased my creativity and efficiency in Photoshop beyond belief. The day-long seminar is always fun and very inspiring. Go to one of these seminars if you can, or find something comparable in your area.

#5: Read Photoshop Magazines

Photoshop User Magazine from NAPP is the undisputed master when it comes to American Photoshop publications. You can find it for $10 at book stores, or you get an automatic subscription when you become a NAPP member. You will need that NAPP membership to access the tutorial files online. Each issue has a bunch of tutorials at all levels, plus reviews of products and news about the industry. The magazine caters to photographers, designers and hobbyists alike.

Layers Magazine is great too, but does not cater just to Photoshop users. It addresses almost all of the Adobe design products. It only has a couple of Photoshop tutorials per issue. If you work with Illustrator, InDesign, Flash, and Dreamweaver as well, this mag's for you.

I also like to buy those really expensive ($15) imports from the U.K., such as Advanced Photoshop and Photoshop Creative. These can be found at book stores too. Unlike Photoshop User, they include a CD-Rom with every issue that provides all the resources for the tutorials, plus brushes, textures, and the like. These magazines sound like an awfully big expense at first, but they are so worth it. The tutorials are always very well done, and gorgeous to boot.

#6: Read Photoshop Books

Some Photoshop books out there are not so great, but most of them are really top-drawer. When considering a Photoshop book for purchase, look for three things:


Are the images really beautiful or interesting? I have a book here I taught from before I really evaluated the images. They are bordering on ugly. Find a book that makes you feel like you can't wait to create those images.
Is the book written to your level? It can be really frustrating if the instructions are too easy or too hard for your experience level.
Does the book match your learning style? Some books use blocks of text and others make each step into a bullet point. Some have more step-by-step images than others. Decide what works best for you and look for books written that way.

I do have three specific book recommendations. Each of the books below contains wonderful tutorials, and is written very well.

"Layers: The Complete Guide to Photoshop's Most Powerful Feature" by Matt Kloskowski

"Photoshop Fine Art Effects Cookbook: 62 Easy-to-Follow Recipes for Creating the Classic Styles of Great Artists and Photographers" by John Beardsworth

"Adobe Photoshop CS4 One-on-One" by Deke McClelland

#7: Do Online Tutorials

I love doing online tutorials. Some good places to find Photoshop tutorials are psd.tutsplus.com, good-tutorials.com, and tutorialized.com. If you work with online tutorials enough, you find some favorite writers. Look for tutorials writers who provide enough images, proofread their work, and don't leave steps out. You should be able to create a result that looks much like the one promised by following exactly what they have written. As with books, look for tutorials written to your skill level. But push yourself to do more challenging stuff than you're used to.

#8: Be a Community Member

This can take many forms. Sometimes I like to check out online Photoshop forums and see if anybody needs a question answered. I often find cool ideas for myself as well. I also hang out on Twitter, and follow a large number of fellow graphic and Web designers. They are always feeding me new links to incredible online resources. I have RSS feeds I read from my favorite design blogs, and I comment on all of the articles that move me. I read everything by smashingmagazine.com and minervity.com.

There are design communities in the offline world too, of course. I am a member of the local group called ADAC. When I had more time a few years ago, I was even a board member. Real-world design clubs are a great opportunity to learn all about design in addition to some of the business aspects of freelancing (ADAC once had a great talk from an intellectual property attorney about copyright law for artists.) More importantly, you can come away inspired with fresh ideas by looking at the works of others.

#9: Learn Other Adobe Programs Too

Photoshop rarely works in a vacuum for most designers. There are many times when a Photoshop project is enhanced by the contributions of artwork done in Illustrator, for example.

Learn how to save your work for the press using Acrobat. Learn how to create vector artwork in Illustrator and import the paths into Photoshop. Learn how to place your Photoshop files into InDesign. Learn how various Photoshop plugins can expand your design horizons or make your work easier. These are but a few examples. A thorough understanding of Photoshop must include an understanding of how well it plays with others.

#10: Teach Photoshop

I wasn't a Photoshop expert when I started teaching Photoshop. I am now, thanks in part to having taught it. Teaching Photoshop helped me develop my expertise in ways that no other experience can. When you have to communicate how to do something to someone else, you come to understand it in a way that sets it in concrete in your brain.

I often get my students to find something new to learn, and then have them turn around and teach it to another student. And when both students make mistakes during this teaching process, they both learn more. Writing tutorials - and finding out if someone can follow them - takes this concept step further.




Dawn Pedersen
Blue Lobster Art and Design
Web Design, Graphic Design, and Design Tutorials
BluLob.com