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Showing posts with label Become. Show all posts
Showing posts with label Become. Show all posts

Sunday, 11 November 2012

The Fastest Way to Become a Web Designer

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Learn how to earn $125 or more per hour as a freelancer - Free Test Drive

If I said you could start today and be a full blown web designer – making $125 per hour or more – in just 8 weeks, would you be interested?

If you’re a regular reader of Colorburned, the answer is most likely, “You bet!”

People, like you, who visit this site are looking for expert advice on making a living as a web designer or increasing their web design income.

A few months ago, I wrote an article about LearnWebDevelopment.com and how they can help you achieve those goals, but what you may not realize is LearnWebDevelopment.com has developed the fastest, surest way for you to become a successful web designer.

It’s their WordPress Bootcamp and they’ve successfully trained hundreds of students through this course over the past year.

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Here’s just a small portion of what you’ll get:

- “Building Websites In WordPress” video training course including a live class, weekly homework, and assignments to quickly get you up and running in WordPress and create your first WordPress websites.

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- 3 Live Sessions with Q&A – including training on “Finding Clients” who are looking for WordPress Websites right now.

- 4 hours of personal One-On-One Support, which is like having an expert at your beck-and-call to help you as you implement what you’re learning and start working with clients.

- A Personal Website Critique where the experts at LearnWebDevelopment.com will help you with every aspect of your website to make sure you will be able to get you all the clients you need.

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But, you need to decide soon, for two reasons:

1. They’re currently running a limited early-bird special so if you act quick, you can actually save $200.

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To sign up or get more information, go here.

Learn how to earn $125 or more per hour as a freelancer - Free Test Drive

Colorburned is a design blog featuring some of the best design news, resources, and tutorials from around the web. Our focus here is to arm you with the tools and knowledge that you need to create better designs in less time.

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View the original article here

Wednesday, 4 July 2012

10 Top Tips to Become a Better Artist


To become a better artist takes years of dedication, passion, energy and time. There are no short cuts but here are some art tips to send you in the right direction.

Tip 1: Learn the Importance of the Sketch

Sketching is one of those things that every artist MUST do and do often. Sketches don't have to be perfect, nor do you have to show them to anyone. They can be as rough or as scratchy as you like but the thing to keep in mind is it's readability. The purpose of a sketch is to quickly illustrate or develop an idea you have, to capture or study some form of reference so that it can be worked on at a latter date. Because of this, the sketch only needs to convey the right information to you and you alone (unless you are drawing an idea out for a client then the message needs to be crystal clear).

Tip 2: Draw, Draw and Draw Some More!

This is a similar tip to the first but what I mean by this is draw anything that comes to mind or visually interests you. Sketch on the bus, train, in bed and even on the toilet. Seriously! The more you draw from your mind and from reference, the better you will become and the quicker your skills will develop. Take the time to doodle lots of different subjects and in lots of different environments as this will all help build up a mental cataloge of images to draw upon latter when you may become stuck for ideas or inspiration.

Tip 3: Build a Reference Library

This is a great tip that I learned from years back. As you begin to fill sketch books with illustrations of ideas and reference material, you should build up that stack of books with more books. By this I mean buying art books, books on clothing, guns, tanks, other cultures, animals etc. The list of what you should look into is endless and should extend beyond your general interests. But it mustn't stop there. You should also collect images off of the internet and save them to your computer and organize them correctly. Take photos of things you see if you don't have time to sketch them. The purpose is to have a nice big collection of images that inspire you, inflame your imagination and, more specifically, if you need to draw something right, having the material there to draw from will add realism and clarity to your work.

Tip 4: Explore Different Mediums

This is when you take an idea from sketch to final painting. Exploring other methods of creating that end piece can really yield some unexpected results and challenge you to push yourself further into new situations. Playing with different types of paints such as oil, acrylic, water colour or gouache are the options most people would suggest trying, but there is more than experimenting with these. You could try air brushing, pastels, using charcoal or taking the leap into the digital realm. All these different mediums have their strengths that you can harness but you will never know them unless you try them out.

Tip 5: Learn Some Color Theory (At Least)

This is a big one. Color theory is a massive, massive subject and I can't do it justice here. What I would strongly suggest is investing time and money in a good color theory book and learn from that. Even learning only a little bit, will help your work massively. The more you push yourself to learn, the better and better you will become.

Tip 6: Play With Perspective

Now, by this I don't mean completely bend the fabric of reality or attempt to mimic the works of M C Esher (but looking at his work couldn't hurt). No! What I mean is take the time to learn about vanishing points, 2 point and 3 point perspectives and how to create objects in three dimensions correctly. As this is just a tip, I'm not going to go into the details here but there are numerous books and places on the web that cover this important area. Learning the rules of perception will open up the possibilities of what you can draw and will broaden your artistic horizons greatly.

Tip 7: Hunt Down Your Artistic Weaknesses & Destroy Them!

I was told this by an incredibly exceptional artist called Chet Zar. This tip is something you should approach regularly and be really tough and honest with your self. By knowing what your not good at artistically and making a conscious effort to attack it (them, could be lots of things), will enable you to systematically grow. For instance, if you draw a lot of humans but avoid drawing feet because you know your not that good at it, set aside time to draw lots of feet, over and over again until they look right (just be sure not to get a foot fetish). This links to a previous tip I did of Draw, Draw and Draw Some More! Drawing things that you don't draw often or at all will increase your repertoire and will enable you to paint and illustrate more complex pictures.

Tip 8: Ask For Help & Critiques

I heard this one from numerous sources and I have to say that this is something you don't have to do all the time. Joining online art communities and forums will give you access to professionals who do know their stuff and can really help you improve, but having thick skin is advised. At one point or another, you will get some harsh and unfair comments but that is the risk of being an artist who puts art out for viewer consumption. Never be afraid to ask for help.

Tip 9: Develop an Original Style

Ah, a real tough one this as developing your own style takes time and experimentation. By exploring lots of little different mediums and genres, you'll soon get to know what you like and how you like to do things. Over time, by doing things the way you want and in the subconscious way you approach a painting, a style will emerge that will be recognizable and more importantly, it will be your style.

Tip 10: Learn to Accept Failure as a Positive Thing.

Possibly one of the most important lessons an artist (or almost any professional) can learn. Not every picture you create will come out looking the way you wanted it too and the same goes with any experiment to try out. There is no such thing as a bad result... there are just results. Learning to take something positive out of everything you do will change the way you look at you next piece and how you approach it. If something doesn't work or you don't like it, don't do it again or use it as a bench mark to launch yourself from in your next piece.

So, I hope that that is enough information to digest and apply into practice, happy drawing!




Lloyd Harvey
http://www.shrunkenheaddesign.kk5.org




Sunday, 1 July 2012

Become a Photoshop Expert in 10 Steps


After working with Photoshop since version 4 in 1999, I realize that nobody really knows every thing that Photoshop can do. This makes it a great toy and tool, because there's always something new to discover. But you can learn most of it and keep learning. I recommend the following habits if you want to become a Photoshop Expert.

For this article, I'm defining expertise as being able to:


imitate something from real life (e.g. how shadows and light really work, how glass and water bend light).
guess with reasonable accuracy how a particular effect was created by someone else in Photoshop.
troubleshoot your own errors as well as someone else's.
manipulate pixels non-destructively.
work efficiently through the proper use of shortcuts, panels, actions, and tools.
know how and when to use most of the features in Photoshop.

Here are the 10 things I recommend you do if you want to be a Photoshop expert.

#1: Own the latest version of Photoshop

It's pretty hard to really experiment with Photoshop if you don't have your own copy at home. Having the latest version is important too. Particularly with the last two versions, CS3 and CS4, new features are added all the time. These features usually either make your job easier (like the Adjustments panel), or give you tools that didn't even exist in prior versions (like some of CS4's 3D capabilities).

I do recommend you purchase your own copy. Please don't used pirated stuff. If you are a teacher or student who is not using Photoshop for commercial purposes, you are allowed by Adobe to purchase the educational version at about half-price. It is as fully-featured as the non-educational version. You can usually buy this version at college book stores, or online at sites such as creationengine.com.

You are allowed to run your Photoshop software on two machines. I have one copy on my desktop PC and one on my laptop for travel.

#2: Play and Make Mistakes

Experimentation and play is the key to learning something beyond the basics. Try out all kinds of tools and filters, and see what they do with different settings. You can't really ruin Photoshop. And if you do, you can reset all the defaults by closing Photoshop, then pressing and holding the Shift+Ctrl+Alt keys (Mac: Shift+Cmd+Opt) while Photoshop restarts.

Take a bunch of photos from your camera (or online) and throw them together. See how blend modes change an overall image as layers are moved around. Try all of the layer adjustments, and every filter combined with another filter. Don't worry if it's ugly. You're learning. And there's always the History panel to allow you to back up several steps and try something else.

#3: Take a Class

To be honest, I had an awful Photoshop teacher. He did little beyond schedule what we were supposed to complete in the textbook. I stopped going at one point. I had learned how not to teach, and four years later I was teaching Photoshop. What a good teacher can do is give you assignments you never dreamed you could do (and enjoy!) More importantly, a good instructor can give you personal guidance when you don't even realize you made a mistake, or there's a typo in the textbook, or you accidentally skipped something, and something goes wrong.

Finally, a good instructor will give you projects to do that give you real-world scenarios and specifications. This prepares you for making real money with Photoshop.

#4: Go to Seminars

Kelby Training provides absolutely fantastic seminars all over the United States. I have had teachers such as the amazing Bert Monroy and Dave Cross. These seminars have increased my creativity and efficiency in Photoshop beyond belief. The day-long seminar is always fun and very inspiring. Go to one of these seminars if you can, or find something comparable in your area.

#5: Read Photoshop Magazines

Photoshop User Magazine from NAPP is the undisputed master when it comes to American Photoshop publications. You can find it for $10 at book stores, or you get an automatic subscription when you become a NAPP member. You will need that NAPP membership to access the tutorial files online. Each issue has a bunch of tutorials at all levels, plus reviews of products and news about the industry. The magazine caters to photographers, designers and hobbyists alike.

Layers Magazine is great too, but does not cater just to Photoshop users. It addresses almost all of the Adobe design products. It only has a couple of Photoshop tutorials per issue. If you work with Illustrator, InDesign, Flash, and Dreamweaver as well, this mag's for you.

I also like to buy those really expensive ($15) imports from the U.K., such as Advanced Photoshop and Photoshop Creative. These can be found at book stores too. Unlike Photoshop User, they include a CD-Rom with every issue that provides all the resources for the tutorials, plus brushes, textures, and the like. These magazines sound like an awfully big expense at first, but they are so worth it. The tutorials are always very well done, and gorgeous to boot.

#6: Read Photoshop Books

Some Photoshop books out there are not so great, but most of them are really top-drawer. When considering a Photoshop book for purchase, look for three things:


Are the images really beautiful or interesting? I have a book here I taught from before I really evaluated the images. They are bordering on ugly. Find a book that makes you feel like you can't wait to create those images.
Is the book written to your level? It can be really frustrating if the instructions are too easy or too hard for your experience level.
Does the book match your learning style? Some books use blocks of text and others make each step into a bullet point. Some have more step-by-step images than others. Decide what works best for you and look for books written that way.

I do have three specific book recommendations. Each of the books below contains wonderful tutorials, and is written very well.

"Layers: The Complete Guide to Photoshop's Most Powerful Feature" by Matt Kloskowski

"Photoshop Fine Art Effects Cookbook: 62 Easy-to-Follow Recipes for Creating the Classic Styles of Great Artists and Photographers" by John Beardsworth

"Adobe Photoshop CS4 One-on-One" by Deke McClelland

#7: Do Online Tutorials

I love doing online tutorials. Some good places to find Photoshop tutorials are psd.tutsplus.com, good-tutorials.com, and tutorialized.com. If you work with online tutorials enough, you find some favorite writers. Look for tutorials writers who provide enough images, proofread their work, and don't leave steps out. You should be able to create a result that looks much like the one promised by following exactly what they have written. As with books, look for tutorials written to your skill level. But push yourself to do more challenging stuff than you're used to.

#8: Be a Community Member

This can take many forms. Sometimes I like to check out online Photoshop forums and see if anybody needs a question answered. I often find cool ideas for myself as well. I also hang out on Twitter, and follow a large number of fellow graphic and Web designers. They are always feeding me new links to incredible online resources. I have RSS feeds I read from my favorite design blogs, and I comment on all of the articles that move me. I read everything by smashingmagazine.com and minervity.com.

There are design communities in the offline world too, of course. I am a member of the local group called ADAC. When I had more time a few years ago, I was even a board member. Real-world design clubs are a great opportunity to learn all about design in addition to some of the business aspects of freelancing (ADAC once had a great talk from an intellectual property attorney about copyright law for artists.) More importantly, you can come away inspired with fresh ideas by looking at the works of others.

#9: Learn Other Adobe Programs Too

Photoshop rarely works in a vacuum for most designers. There are many times when a Photoshop project is enhanced by the contributions of artwork done in Illustrator, for example.

Learn how to save your work for the press using Acrobat. Learn how to create vector artwork in Illustrator and import the paths into Photoshop. Learn how to place your Photoshop files into InDesign. Learn how various Photoshop plugins can expand your design horizons or make your work easier. These are but a few examples. A thorough understanding of Photoshop must include an understanding of how well it plays with others.

#10: Teach Photoshop

I wasn't a Photoshop expert when I started teaching Photoshop. I am now, thanks in part to having taught it. Teaching Photoshop helped me develop my expertise in ways that no other experience can. When you have to communicate how to do something to someone else, you come to understand it in a way that sets it in concrete in your brain.

I often get my students to find something new to learn, and then have them turn around and teach it to another student. And when both students make mistakes during this teaching process, they both learn more. Writing tutorials - and finding out if someone can follow them - takes this concept step further.




Dawn Pedersen
Blue Lobster Art and Design
Web Design, Graphic Design, and Design Tutorials
BluLob.com